Beyond the New Romanian Cinema

Beyond the New Romanian Cinema: Romanian Culture, History, and the Films of Radu Jude A stellar representative of the New Romanian Cinema, Radu Jude also belongs to a select group of politically-minded East European filmmakers who have taken as their subject the nature of the media and the circulation of images (Vertov and Eisenstein, Dusan Makavejev, the Ukrainian documentari- an Sergei Loznitsa). For that reason, Andrei Gorzo and Veronica Lazar’s Beyond the New Romanian Cinema: Romanian Culture, History, and the Films of Radu Jude is both welcome and essential.
– J. Hoberman , author of The Red Atlantis: Communist Culture in the Absence of Communism Beyond the New Romanian Cinema: Romanian Culture, History, and the Films of Radu Jude delivers what it promises in its title, and offers more.
It locates Radu Jude’s films against the backdrop of the New Romanian Cinema, a phenomenon which put Romanian cinema on the map of European and world cinema, arguing that Jude overcame a certain sterility and timidity of this movement by creating a very rich and versatile body of work, comprising films of different genres and formats. At the same time as offering a meticulous and thought-provoking analysis of Jude’s films, the authors use them to explore the strengths and limitations of the auteurist paradigm, both in Romania and more widely.
– Ewa Mazierska, Professor of Film Studies, University of Central Lancashire This impressive study of filmmaker Radu Jude is invaluable not only for its acute critical observations, but also for its intelligent, informed commentary on Romanian cinema, culture, and society in general. I learned something impor- tant on virtually every page.
Highly recommended. – James Naremore , author of The Magic World of Orson Welles, Acting in the Cinema, and On Kubrick Andrei Gorzo and Veronica Lazar offer a comprehensive and refined analysis of the films of Radu Jude, a filmmaker who has emerged with one of the most uncompromising voices ranging from the farcical macabre political satire to a philosophical interrogation of representation, and who has addressed the most daring topics after the first wave of the so-called New Romanian Cinema.
The monograph manages to combine a wide-angle film-historical and cultural perspective with an in-depth investigation unravelling the ways in which Jude’s cinema is ‘updating’ the legacy of European modernism in order to engage with pressing issues of Romanian culture and history. – Agnes Petho, Professor of Film Studies, Sapientia Hungarian University of Transylvania